long as we lie patriotic drunk vulgar
hover in our sky no hope. A truly resplendent in all prerequisite
resurgence.
José Vasconcelos
critical analysis, sometimes acid José Antonio Crespo has been constant in the books he has published. This year had one that generated controversy, which shook beliefs, myths, consciously and unconsciously registered information in our brain, and makes the critical value in a time where information overload and vulnerability to misinformation and manipulation is critical.
The history of bronze or official story is the umbrella that covers some Mexican heroes and villains that have been submitted from small, short to Madero, passing and Cuauhtemoc Moctezuma, Santa Ana and Juarez, among others, and the influence undisputed external actors like the United States of America. National history has been presented in black and white good and evil, love and hate, always written by the victors. The author crumbles excerpts from the official story, scenes that we have in mind when we issue opinions when applauded and booed, when we face our national reality, when we think of as Mexican.
When I read about my country, I realize that collective ignorance, which I am also a victim, has not be able to understand us as a country, as Latin Americans, and mestizos, as Mexicans. To build our own models, to take on the differences and putting the matches, but above all to put me over Mexico. We have a national life model based on the self, that means me or against me, and therefore the decisions that help or hurt the country lie in the human vulnerability of a person and not institutions, which undoubtedly provide greater certainty and contribute to the democratization of society. Crespo
out to learn from the past, teach purposeful vision of national history to new generations and with a definite sense, that celebrates the values \u200b\u200bof peace, law, negotiation and tolerance, that through it the consolidation of a democratic system based on justice. Besides studying national figures from the proper perspective of people, with rights and wrongs. Taking our history.
The history of bronze or official story is the umbrella that covers some Mexican heroes and villains that have been submitted from small, short to Madero, passing and Cuauhtemoc Moctezuma, Santa Ana and Juarez, among others, and the influence undisputed external actors like the United States of America. National history has been presented in black and white good and evil, love and hate, always written by the victors. The author crumbles excerpts from the official story, scenes that we have in mind when we issue opinions when applauded and booed, when we face our national reality, when we think of as Mexican.
When I read about my country, I realize that collective ignorance, which I am also a victim, has not be able to understand us as a country, as Latin Americans, and mestizos, as Mexicans. To build our own models, to take on the differences and putting the matches, but above all to put me over Mexico. We have a national life model based on the self, that means me or against me, and therefore the decisions that help or hurt the country lie in the human vulnerability of a person and not institutions, which undoubtedly provide greater certainty and contribute to the democratization of society. Crespo
out to learn from the past, teach purposeful vision of national history to new generations and with a definite sense, that celebrates the values \u200b\u200bof peace, law, negotiation and tolerance, that through it the consolidation of a democratic system based on justice. Besides studying national figures from the proper perspective of people, with rights and wrongs. Taking our history.
Book becomes a sower of doubts that may have irreversible consequences, such as the need to read more, learn more about our country, to discuss more, think more ... so anyone reading it will hurt.
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